(Source: , via lightningrebellion)
(Source: , via lightningrebellion)
(Source: shahirzag.com, via nevinhirik)
Zweistromland / Land of Two Rivers
installation, mixed media, 1985-1989
[…] Throughout his career Kiefer was a maker of books, one-of-a-kind works like medieval manuscripts. His most monumental expression of this interest is “The High Priestess/Zweistromland/Land of Two Rivers”. This sculpture consists of two bookcases (labeled after the rivers Tigris and Euphrates) containing about two hundred lead books, all on a superhuman scale. Some of the books were blank; others contained such things as obscure photographs of clouds or dried peas. It was a many layered work dealing with the artifacts of knowledge. […] *
(via fuckyeahbookarts)
IAAC - Endesa Pavillion/Solar house 2, Barcelona 2012. Via afasia.
Pierre Gonnord artist living in Madrid, “Armando”, 2009
His Art Gallery is Juana de Aizpuru.
Contemporary-Art-Blog
(via contemporary-art-blog)
There is a fundamental reason why we look at the sky with wonder and longing—for the same reason that we stand, hour after hour, gazing at the distant swell of the open ocean. There is something like an ancient wisdom, encoded and tucked away in our DNA, that knows its point of origin as surely as a salmonid knows its creek. Intellectually, we may not want to return there, but the genes know, and long for their origins—their home in the salty depths. But if the seas are our immediate source, the penultimate source is certainly the heavens… . The spectacular truth is—and this is something that your DNA has known all along—the very atoms of your body—the iron, calcium, phosphorus, carbon, nitrogen, oxygen, and on and on—were initially forged in long-dead stars. This is why, when you stand outside under a moonless, country sky, you feel some ineffable tugging at your innards. We are star stuff. Keep looking up. — Jerry Waxman, Astronomical Tidbits
(Source: theonlyphoenix, via catherinewillis)